Young Joker – Who’s Laughin’ At Cha?
January 1, 1994
Download music album Who’s Laughin’ At Cha? by Young Joker, released in 1994. ℗ Death Trap Records
1
Young Joker
Intro
02:39
2
Young Joker, Crump Dog
Dank Session
04:03
3
Young Joker
Tales From My Neighborhood
04:13
4
First Degree
I’m A Thief
04:40
5
Young Joker
Garden Funk
04:51
6
Young Joker
Breaking Em’ Of Something Proper
04:50
7
First Degree
Gold Shoes
04:08
8
Be Gee
Can’t Phuck Wit’ Me
05:25
9
Young Joker, Crump Dog
U Betta Watch My Nine
04:23
10
Young Joker
Who’s Laughin’ At Cha?
04:15
11
Young Joker
Outro
03:42
Album info
“Young Joker – Who’s Laughin’ At Cha?” is an embodiment of the raw, streetwise narrative of the West Coast hip-hop scene during the mid-1990s. Released by Death Trap Records in 1994, this album captures the essence of gangsta rap as it stood on the precipice of becoming a dominant force in the music industry.
Crafted in the midst of gangsta rap’s golden era, the album is a gritty commentary on the realities of street life in Sacramento, California, where Young Joker hails from. The album kicks off with an “Intro” that sets the stage for the lyrical journey ahead. Each track is a vignette into the life and psyche of Young Joker, who delivers his rhymes with a blend of charisma and an unapologetic edge.
With songs like “Dank Session,” featuring Crump Dog and backed by Moses, and “Tales From My Neighborhood,” Young Joker paints a picture of the daily grind and hustle of the streets. “Garden Funk” further delves into the soundscape of Sacramento, echoing the local flavor and struggles of the community.
The production on “Who’s Laughin’ At Cha?” courtesy of Lil Joe (Dalven Pipkins), is both soulful and menacing, with tracks like “Breaking Em’ Of Something Proper” laying down hard-hitting beats that complement Young Joker’s lyrical delivery. The album also showcases talent from other artists such as First Degree on “I’m A Thief” and Be Gee on “Can’t Phuck Wit’ Me,” who add their unique styles to the mix, creating a diverse and robust auditory experience.
“U Betta Watch My Nine,” another collaboration with Crump Dog, reinforces the album’s themes of vigilance and survival. The eponymous track “Who’s Laughin’ At Cha?” stands out as a personal declaration from Young Joker, confronting his adversaries with a mix of humor and hazard.
The technical credits of the album involve a team of skilled professionals. The bass guitar by G Bird and lead guitar recorded by Markie Mark give the album a layered depth, while the mastering by Arishima ensures that the album’s sound is crisp and enduring. Visually, the graphics and layout by Phunky Phat Graph-X add to the album’s aesthetic, complementing the music with visual storytelling.
“Young Joker – Who’s Laughin’ At Cha?” is not just a collection of songs; it’s a snapshot of a time when gangsta rap was more than music—it was a movement. Young Joker, with his authentic narratives and street-honed lyrics, delivers an album that resonates with the voice of Sacramento’s streets, an enduring piece of hip-hop history.